Watch the video. After racing in New Hampshire, the lonely motorcycle racer Bud Clay drives his van in a five-day journey to California for the next race. Along his trip, he meets fan, lonely women, prostitutes, but he leaves them since he is actually looking for the woman he loves, Daisy. He goes to her house and leaves a note telling where he is lodged. Out of the blue, Daisy appears in his hotel room and soon he learns why he cannot find her. While I give the film kudos for a story that I didn't see coming, after the first few minutes of needless and extremely boring motorcycle racing, I could see that I was NOT in the hands of a professional editor.

The former downtown it girl and Sassy magazine intern rose to wider fame thanks to 's Kids , picked up an Oscar nomination in for Boys Don't Cry , gained status as a queen of indie cinema, and then took a part in 's Brown Bunny. The film required her to perform "unsimulated" fellatio on director, costar, and former boyfriend Vincent Gallo and the world absolutely lost it. Before the film's premiere at the Cannes Film Festival, there were false reports that her then-representatives at William Morris Agency dropped her. The agency still represents her.

The Brown Bunny is a experimental road drama film written, directed, produced, photographed and edited by Vincent Gallo. It was photographed with handheld 16 mm cameras in various locations throughout the United States, including New Hampshire , Massachusetts , Ohio , Missouri , Utah , Nevada , and California. Following its world premiere at the Cannes Film Festival , the film garnered a great deal of media attention because of the explicit final scene between Gallo and Sevigny, as well as a feud between Gallo and the film critic Roger Ebert , who stated that The Brown Bunny was the worst film in the history of Cannes, [4] although he later gave a re-edited version his signature " thumbs up ".

No-one I think is in my tree, I mean it must be high or low? The Brown Bunny Roger Ebert called The Brown Bunny the "worst film to ever screen at Cannes" when it screened there in , and, though Ebert revised his opinion to a positive one when he saw the edited-down version which exercised over twenty-five minutes from the original a year later, it remains that Vincent Gallo's film is one of the most divisive, talked about pieces of erotic cinema of the last two decades or so. An overlong, indulgent film, The Brown Bunny originally opened with just twenty straight minutes of Gallo's character, Bud Clay, driving. In any other instance this would be the film's talking point, but here it's the scene near the climax pun unintentional of the picture which caused most controversy; the scene in which Bud receives an uncut, unsimulated blowjob from Daisy Chloe Sevigny.